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This is a website about all things Beatle. There will be news if we find them attractive, there will also be articles and features about sol...
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Hickory Hill - John and Yoko visit Ethel Kennedy at her home, Hickory Hill in Virginia in May of 1972. Is that Rosie Greer?
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McCartney & Wings – One Hand Clapping – It’s Official + Pack Shots - Six days after the news mistakenly slipped out, Paul McCartney has officially announced the release of audio from the 1974 live studio performance called O...
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JOHN LENNON's GUITAR UP FOR AUCTION AFTER DISCOVERY IN ATTIC AFTER 50 YEARS - Julien’s Auctions announced Tuesday, April 23 that Lennon’s Framus 12-string Hootenanny acoustic guit...
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LIBB P768: 22 April 2024 - Show 1461 Panel: Graeme Dickenson, Gavin Myers, Jo MacCarthy *LIBB Show 1461 WynFM Podcast P768* Download Or Stream LIBB Show 1461 WynFM Podcast P768 ...
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Feel your own pain – John’s ‘Plastic Ono Band’ demos - When a deluxe edition of John’s classic John Lennon/Plastic Ono Band album was first seriously mooted back in 2020, I was curious to see how deep they coul...
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Restored Let It Be film coming to Disney+ 05-08-24 - The Beatles’ 1970 film Let It Be is coming to Disney+ on 8 May 2024. The film, directed by Michael Lindsay-Hogg in January 1969, has been commercially un...
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Having a Large Time! - I’m still working on the manuscript, but I just got the proof for the cover for my upcoming book about Southern music, and I’m very pleased with how it tur...
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Harry Benson : « Paul » livre l'intimité de McCartney - C’est en 1964 que Harry Benson commence à photographier le jeune Paul McCartney, année charnière pour les Beatles qui déferlent sur l’Amérique, sillonnen...
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ED治療の際はシルデナフィルの使い方を正しくマスターしよう! - シルデナフィルはED治療によく使用されていますが、使い方を間違えると命に関わることもありますので注意が必要です。一番良い方法は、医師や薬剤師など専門家に相談し、指示を守って服用することですが、ここでは一般的に言われているシルデナフィルの正しい使い方についてご紹介します。 市販されているシルデナフィルには25...
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William Leslie Anthony (Les Anthony): 30 April 1933 - 21 May 2020. - Les Anthony, John's driver from 1965-1971, has died. The story goes that John was having problems finding a suitable chauffeur, and so Brian Epstein, upo...
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The Decca Tapes - First Time In Stereo (By Lord Reith) - BITRATE: FLAC TRACK LISTING: Money The Sheikh Of Araby Memphis, Tennessee Three Cool Cats Sure To Fall September In The Rain Take Good Care Of My Baby Till...
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The Final Beatles' Recording Session - On April 01 1970, final work was done on three of the tunes for the upcoming "Let It Be" (formerly known as "Get Back") project. The session was held in St...
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There are seven levels. - [image: giphy (4)]
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This website is all about The Beatles and the individual members of The Beatles. It is kept by Roger Stormo, who has been associated with the Norwegian Beatles fan club, "Norwegian Wood", since 1980. Feel free to quote from the site, but please give me credit and a link back to the original item. As an Amazon Associate I earn from qualifying purchases. This is not a news site per se, but if we hear about something that has yet to be reported by other Beatles news services, we tend to write about it. Apart from that, we will write stuff about the Beatles on an irregular basis at the whim of the author. A lot of our readers arrive at specific articles from internet searches or references to this site from forums and other Beatles sites. If you did, we encourage you to click here to access the main page, and also to indulge in our archives - you may find other posts that are interesting. You may also subscribe to news from the site and have each new issue delivered to your rss feed reader.
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Move over, Ms L!
Monday 24 May 2010
Scorsese's documentary on George set for 2011
He has been developing the project with the former Beatle's widow, Olivia, for the past three years, even while he was working on his recent thriller "Shutter Island."
Titled "Living in the Material World: George Harrison," the documentary will take on the whole of Harrison's life before, during and after his time in the world's most popular and successful band.
Among other things, Scorsese says he related to Harrison's quest for "spirituality," something the filmmaker has explored his whole life, and especially in movies from "Mean Streets" to "Kundun."
"That subject matter has never left me," said Scorsese. "The more you're in the material world, the more there is a tendency for a search for serenity and a need to not be distracted by physical elements that are around you."
"He always said he gave his nervous system for the Beatles," Olivia Harrison added.
Scorsese met Harrison several times, first when he, Jack Nicholson and Robbie Robertson knocked on his door in a frantic moment during the filming of "The Last Waltz" in the late '70s, and then again in the early '90s.
Olivia initiated the current project several years ago because after having been approached by numerous production companies, including the BBC, looking to make a documentary about Harrison from the moment he died of cancer in 2001. She resisted at first because Harrison had always wanted to do his own documentary using his own archive of videos.
Eventually, she realized it "was something that needed to be done," and was pointed to financier Nigel Sinclair, who had produced the Bob Dylan documentary "No Direction Home" that Scorsese directed. But still, it was a traumatic experience for her to dig back through all of that history.
"This is a deeply personal journey for me, it's been excruciating," she said. "I've been archiving for five years -- 35 years, really. Throwing cassettes and letters in drawers, little things and pieces of paper that you find that say, 'Goats on my roof.' You think, What does that mean?"
She said that during the research period, Scorsese would ask for something from 1945, she would dig something up, and then get lost in old letters, drawings, ideas and reveries. Or she'd come across a lost cassette from 1966 with music she had never heard.
"So that's been wonderful, but emotional, too," Olivia said. "But I feel really safe, I feel protected. Marty had a connection with George, and they spent time together. And he's passionate about film and music as George was passionate about music and film."
"This is undertaken, not casually," Scorsese said. "It's a great deal of reticence and thinking."
And juggling, since the director was working on it as he developed and shot "Shutter Island." His editor on the Dylan doc, David Tedeschi, has been working on the Harrison piece as well, and would forge ahead when Scorsese was indisposed on the fiction film. Scorsese noted that their work on the Dylan film stretched from "The Aviator" through to "The Departed."
"'Shutter Island' took a great deal out of me," Scorsese said. "This was a form of interest and a really good sense of ignorance -- not knowing what you're getting into. I know the level is deep, and I know at some point there's going to be conflicts between the projects. But this is a labor of love, it's not something that has that kind of a deadline."
So Scorsese spent weekends and margins looking at footage and cuts of the Harrison work, and doing research.
The film will feature plenty of rare footage since Harrison saved everything and left a ton of material. Scorsese said all of that personal music led the way to the nonchronological exploration they wanted to take.
"Ultimately, we're trying to have the development of his own music tell the story, if we can," he said. "And the images that he shot, that (Olivia) shot, a lot of this is telling the story. There are some famous bits and some very interesting new material."
Olivia added: "I think it's not only about George Harrison, but about how a person moves through life and deals with his own life. And it was a pretty intense life for a young person."
In addition to his achievements as a master filmmaker and preservationist, Scorsese has now made a number of films -- "Shine a Light," "Last Waltz," "No Direction Home," "The Blues" (he was even an editor on the "Woodstock" concert film) -- that he is personally building a library of the history of rock.
"We certainly haven't done it intentionally," Scorsese says. "We never really intended to make a chronicle of rock music. But the music inspires so much of what I do with my fiction films that they both seem to be blending now. They seem to be interweaving."
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